Neurosis’ SCOTT KELLY And Yakuza’s BRUCE LAMONT Join Forces For November Tour Run

Neurosis’ SCOTT KELLY and Yakuza’s BRUCE LAMONT will join forces later this Fall for a special stretch of US live dates. Set to commence November 10th in Detroit, Michigan, the pair will traverse twelves cities, with the trek coming to a close on November 21st in Pittsburg, Pennsylvania. Both Kelly and Lamont will be performing material from their respective solo projects as well as tunes from CORRECTIONS HOUSE.

SCOTT KELLY/BRUCE LAMONT:

11/10/2015 Majestic Café – Detroit, MI

11/11/2015 Drawing Room @ Chicago Athletic Club – Chicago, IL

11/12/2015 Double Happiness – Columbus, OH

11/13/2015 The Acheron – Brooklyn, NY

11/14/2015 Gorman Bros. Music – Syracuse, NY

11/15/2015 Middle East (upstairs) – Boston, MA

11/16/2015 Kung Fu Necktie (late show) – Philadelphia, PA

11/18/2015 Ottobar- Baltimore, MD

11/19/2015 The Funhouse - Jersey City, NJ

11/20/2015 Alternative Gallery – Allentown, PA

11/21/2015 Smiling Moose (late show) – Pittsburgh, PA

SCOTT KELLY (Neurosis, Corrections House) will deliver his signature hymns of pain, reflection and redemption with tracks off his solo outings -- the bleakly atmospheric Spirit Bound Flesh solo and starkly minimalist The Wake as well as The Forgiven Ghost In Me album, released in 2012 under the moniker SCOTT KELLY AND THE ROAD HOME and tunes from the moving Songs Of Townes Van Zandt collection as well as newly recorded numbers to be released next year. With a sound that’s at once soulful, morose and healing few artists can manifest with such devout sincerity, when KELLY sits quietly, with his guitar, there’s rarely a dry eye in the room when he bows out at the end.

Multi-instrumentalist and vocal sorcerer BRUCE LAMONT (Yakuza, Corrections House, Led Zeppelin 2) has performed/collaborated with an array of artists throughout his storied career. On this run, Lamont will be performing versions of some of the material on his 2011-issued debut solo album Feral Songs For The Epic Decline as well as newer/unreleased material. As with his previous solo, LAMONT will be executing multiple instruments and a plethora of vocal styles, with an incredibly layered looping system that culminates into some of the most entrancing live solo artist work one could ask for.

In addition, both KELLY and LAMONT will unite each evening following their respective sets to deafen the masses with renditions of various CORRECTIONS HOUSE hymns. CORRECTIONS HOUSE – which features within its ranks Kelly, Lamont, Sanford Parker (Buried At Sea), Mike IX Williams (Eyehategod) and recently institutionalized minister of propaganda, Seward Fairbury -- will issue their long-awaited sophomore full-length, Know How To Carry A Whip, this Friday via Neurot Recordings. A nine-track, forty-five-minute exercise in sonic indecency, the record was captured by Parker alongside Fairbury in a subterranean bunker complex in Vietnam and dispels a disconcerting air of danger, paranoia and looming defeat marked by an inexplicable sense of catharsis.

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CORRECTIONS HOUSE: "Know How To Carry A Whip" Available Now From Neurot Recordings

CORRECTIONS HOUSE : Know How To Carry A Whip - CD, LP, Digital & T-Shirt Bundles Available Now!!

Release Date: October 23rd, 2015

Know How To Carry A Whip is the imminent new studio offering from industrialized volume abusers, CORRECTIONS HOUSE. A nine-track, forty-five-minute exercise in sonic indecency, the record was captured by the band’s own Sanford Parker (Buried At Sea) alongside recently institutionalized minister of propaganda, Seward Fairbury, in a subterranean bunker complex in Vietnam.

Deeper, darker, and far more fluid than 2013’s critically-adored Last City Zero debut, CORRECTIONS HOUSE’s Know How To Carry A Whip is unapologetic in its audio trauma. Featuring a guest appearance by Negative Soldier, the record finds the band — Sanford Parker, Fairbury, Scott Kelly (Neurosis), Bruce Lamont (Yakuza) and Mike IX Williams (Eyehategod) — at their most arduous. Immersed in experiences of longing and loneliness from the depths of their collectively putrefying hearts, each movement contained within Know How To Carry A Whip discloses a new, disconcerting air of danger, paranoia and looming defeat marked by an inexplicable sense of catharsis.

Suffocating yet stimulating, oft static sodden, discordant and tribal, all twined around Williams’ unassailable manic street preacher verses and intermittently juxtaposed by the smooth, cradling sounds of Lamont’s lingering saxophone, Know How To Carry A Whip remains rhythmic and hypnotic throughout, with grooves that dominate and penetrate.

Already deemed a maniacal masterwork, Exclaim hails a release that's, "even more ominous, nihilistic and dismal," than it's predecessor, further championing its, "complex array of anxiety-inducing electronic effects," and vocalist Mike IX Williams', "poetic, despairing vocals." Decibel Magazine celebrates the band's "sharpened focus," noting, "CORRECTIONS HOUSE build mechanical aggrotech sludge from the blood and muck shoved into the gutter by Godflesh's Steetcleaner." Elaborates Drowned In Sound, "I want to stand behind artists that are restless, who thrive on creation, and who do not fear where their muses might lead. Such is what I hear on Know How... visions, induced by cold sweats; nights awake with Einsturzende Neubauten throbbing in headphones; the external appearance of terror (i.e. the ski masks in their videos), driven by the internal desire to evoke a reaction beyond indifference." Echoes And Dust calls the record, "...a shining example of a metal and industrial fused record, one that successfully fuels the undeniable fact that the artists behind CORRECTIONS HOUSE still stand as the most creative and influential individuals in the genre." Skulls 'N' Bones notes, "Know How To Carry A Whip is brilliantly bleak and depressing; a modern day exorcism delivered through rage and noise that feels just right." While Metal Nexus lauds an, "ambient-propelled, noise-tinged discordance that uses tribal drum patterning, saxophones, and other transcendental audio techniques to hypnotize listeners while the manic apocalyptic ramblings of Mike IX assail their fears and inhibitions."

Know How To Carry A Whip is now available worldwide from Neurot Recordings. CD, LP, Digital & Bundles are available at THIS LOCATION.

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CORRECTIONS HOUSE: Know How To Carry A Whip Streaming In Its Entirety At Decibel; Record Drops TOMORROW Via Neurot Recordings

“This group is so super, every damn letter should be in caps.” -- Decibel

Tomorrow marks the official detonation date of Know How To Carry A Whip, the second full-length endeavor from industrialized volume abusers CORRECTIONS HOUSE. A nine-track, forty-five-minute exercise in audio acrimony, the record was captured by the band’s own Sanford Parker (Buried At Sea) alongside recently institutionalized minister of propaganda, Seward Fairbury, in a subterranean bunker complex in Vietnam.

Already deemed a maniacal masterwork, Exclaim hails a release that’s, “even more ominous, nihilistic and dismal,” than it’s predecessor, further championing its, “complex array of anxiety-inducing electronic effects,” and vocalist Mike IX Williams’, “poetic, despairing vocals.” Decibel Magazine celebrates the band’s “sharpened focus,” noting, “CORRECTIONS HOUSE build mechanical aggrotech sludge from the blood and muck shoved into the gutter by Godflesh’s Steetcleaner.” Elaborates Drowned In Sound, “I want to stand behind artists that are restless, who thrive on creation, and who do not fear where their muses might lead. Such is what I hear on Know How… visions, induced by cold sweats; nights awake with Einsturzende Neubauten throbbing in headphones; the external appearance of terror (i.e. the ski masks in their videos), driven by the internal desire to evoke a reaction beyond indifference.” Echoes And Dust calls the record, “…a shining example of a metal and industrial fused record, one that successfully fuels the undeniable fact that the artists behind CORRECTIONS HOUSE still stand as the most creative and influential individuals in the genre.” Skulls ‘N’ Bones notes, “Know How To Carry A Whip is brilliantly bleak and depressing; a modern day exorcism delivered through rage and noise that feels just right.” While Metal Nexus lauds an, “ambient-propelled, noise-tinged discordance that uses tribal drum patterning, saxophones, and other transcendental audio techniques to hypnotize listeners while the manic apocalyptic ramblings of Mike IX assail their fears and inhibitions.”

In advance of its final reveal via Neurot Recordings, Decibel Magazine today spews forth Know How To Carry A Whip in its devious entirety noting, at THIS LOCATION.

CORRECTIONS HOUSE’s Know How To Carry A Whip is unapologetic in its audio trauma. Featuring a guest appearance by Negative Soldier, the record finds the band —Parker, Fairbury, Scott Kelly (Neurosis), Bruce Lamont (Yakuza) and Mike IX Williams (Eyehategod) — at their most arduous.

Each movement contained within Know How To Carry A Whip discloses a new, disconcerting air of danger, paranoia and looming defeat marked by an inexplicable sense of catharsis.

Suffocating yet stimulating, oft static sodden, discordant and tribal, all twined around Williams’ unassailable manic street preacher verses and intermittently juxtaposed by the smooth, cradling sounds of Lamont’s lingering saxophone, Know How To Carry A Whip is immersed in experiences of longing and loneliness from the depths of their collectively putrefying hearts.

Know How To Carry A Whip will be released worldwide on October 23rd, 2015 via Neurot Recordings. For preorder bundles point your browser to Neurot Recordings webstore.

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