September 30, 2015

KOWLOON WALLED CITY Streams Grievances Title Track Via Decibel

“Arm to arm they burned., with nothing to bear, you learned. No love, no burden, no memory.” – “Grievances,” KOWLOON WALLED CITY


Today, Decibel Magazine is streaming the title track from Grievances, the new full-length from San Francisco’s KOWLOON WALLED CITY. Grievances will be released worldwide October 9, 2015 on Neurot Recordings, with vinyl on Gilead Media. Preorder bundles are available at THIS LOCATION.

Shifting even further from their sludgy post-hardcore roots towards a sparser, more melancholic heaviness, on the seven-track Grievances, strings rattle, guitars crackle and blister, notes ring out, at turns bleak and beautiful – sometimes both at once. Recorded and mixed by vocalist Scott Evans at Sharkbite Studios and his own Antisleep Audio, both in Oakland, the recording is honest and spacious, and intense without artifice or studio trickery. 




From an advance review in the UK’s The List: “Purely sonically, this is a stunning record – big, clean guitars, used as knives, not hammers, over a vicious bass bite and drums that hang and resound, full of anticipation, tension and release. And the vocals are one of KOWLOON’s main weapons – where others in this milieu go for the guttural growl or the manly roar, Scott Evans’ anguished howl is purer, softer, full of sorrow and frustration dredged up from the belly … Compositionally, it’s incredibly smart but unflashy. At first, it appears simple and straightforward, but the arrangements are deceptively complex and wilfully elusive, focusing on elision and clashing sour chords. A key strategy finds the band building from an austere beginning to a colossal, climactic riff that repeats and repeats.”

Evans says, “The song ‘Grievances’ started with the investment bankers who threw a cocktail party overlooking an Occupy protest, and ended up at a 1911 shirt factory fire where dozens of employees died because the owners had locked the exits and stairwells. The album cover is related in some ways—look up Lewis Hine's photography from the early 1900s.”

Stream “Grievances” courtesy of Decibel Magazine at THIS LOCATION.

You can also hear “Backlit” streaming at NPR at THIS LOCATION.



Following the release of GrievancesKOWLOON WALLED CITY will join Fight Amp for a short West Coast tour. The tour begins at the Day Of Shred Fest in Santa Ana and wraps up with a hometown record release show in Oakland.
KOWLOON WALLED CITY w/ Fight Amp:
11/1/2015 The Observatory - Day Of The Shred Fest - Santa Ana, CA
11/2/2015 Starlight Lounge – Sacramento, CA
11/3/2015 Obsidian – Olympia, WA
11/4/2015 The Shakedown – Bellingham, WA
11/5/2015 Highline – Seattle, WA
11/6/2015 Black Water - Portland, OR
11/7/2015 Golden Bull – Oakland, CA * Grievances Record Release Show

KOWLOON WALLED CITY formed in 2007 and has released an EP, Turk Street (Wordclock, 2008), and two full-length albums, Gambling On The Richter Scale (Perpetual Motion Machine, 2009) and Container Ships (Brutal Panda, 2012), as well as two splits. Grievances is the band’s first release under the Neurot Recordings banner.



Grievances will be released worldwide on October 9th, 2015 on Neurot Recordings, with vinyl on Gilead Media. Preorder bundles are currently available at THIS LOCATION.






September 25, 2015

DARK BUDDHA RISING: 'Inversum' Available Now from Neurot Recordings


DARK BUDDHA RISING: Inversum - Available Now! 
Release Date: September 25th, 2015


Regarded as the opening of the Third Cycle Of Dark Buddha Rising, Inversum was recorded, produced and mixed by the band in the bowels of the Wastement, the self-proclaimed “asylum of eternal feedback,” and welcomes the addition of new Dark Buddha Rising recruits, V. Vatanen (guitar, vocals), J. Saarivuori (keyboards) and M. Neuman (vocals).

As the dust of centuries has settled on pages unwritten, the gates are opened only within. In ascension rites of introvert spirits, the signature of passing flesh is inscribed in the memorial garden as a note of entrance. Succeeding this initiation, all levels are accessible through death transpired as severance of the flesh and the spirit immortal. As the remnants of flesh dance to the endless pulses of the multiverse, the underlying directives in biorhythms to which these pulses are synchronized (from ego to the universe on the left hand and no ego in the void beneath the veil) and to be followed like a call of nature. Nature withholds the void that exists to the unaided eye of the celestials, and the rhythms transpire as keys. As the innerspace traveler is aligned with the order of the nine, disarray in the processes is suddenly reversible, and the liberated shall walk the brightened path that is not treaded afoot. This is Dark Buddha Rising.


DARK BUDDHA RISING’s Inversum is available now through the Neurot Recordings Webstore.



Dark Buddha Rising's second audio excerpt "E X O" can be heard here; sample the condensed edition of opening hymn, “E S O,” here; and you can also still view the recently released video trailer here:




Upcoming DARK BUDDHA RISING Live Events:



“Inversum is a dark oasis that Dark Buddha Rising have lost themselves in. It really feels like the band set out to create a dark opus, and through their recording sessions, have become part of its darkness as well… with Inversum, the band is opening a new cycle to their existence.” - CVLT NATION

There's an uncomfortable mood set and in time, there is a payoff. While waiting, the listener is treated to wah drenched guitars with tones that sound like the amplifiers are on fire, howling vocals that breed anger, enmity, and sadness.” - GLACIALLY MUSICAL

“A bell is struck in a silent temple. Black clouds gather over the Himalayas. A yogi lights incense in a forest, isolated. He approaches death, and is ready for the trip.” - METAL STORM



darkbuddharising.com

facebook.com/dbrising

twitter.com/drkbuddharising



September 18, 2015

CORRECTIONS HOUSE: “White Man’s Gonna Lose” From Impending New Studio Offering Now Playing At Revolver; Know How To Carry A Whip Preorders Available




Know How To Carry A Whip is the imminent new studio endeavor from industrialized volume abusers, CORRECTIONS HOUSE. A nine-track, forty-five-minute exercise is sonic indecency, the record was captured by the band’s own Sanford Parker (Buried At Sea) alongside recently institutionalized minister of propaganda, Seward Fairbury, in a subterranean bunker complex in Vietnam.

Deeper, darker, and far more fluid than 2013’s critically lauded Last City Zero debut, Know How To Carry A Whip is unapologetic in its audio trauma. Featuring a guest appearance by Negative Soldier, the record finds CORRECTIONS HOUSE -- Parker, Fairbury, Scott Kelly (Neurosis), Bruce Lamont (Yakuza) and Mike IX Williams (Eyehategod) -- at their most arduous. Immersed in experiences of longing and loneliness from the depths of their collectively putrefying hearts, each movement contained within Know How To Carry A Whip discloses a new, disconcerting air of danger, paranoia and looming defeat marked by an inexplicable sense of catharsis

Suffocating yet stimulating, oft static sodden, discordant and tribal, all twined around Williams’ unassailable manic street preacher verses and intermittently juxtaposed by the smooth, cradling sounds of Lamont’s lingering saxophone, Know How To Carry A Whip remains rhythmic and hypnotic throughout, with grooves that dominate and penetrate.


In advance of its release, today Revolver undrapes the impulsive deviance and decadence of third movement, “White Man’s Gonna Lose,” now streaming at THIS LOCATION.


CORRECTIONS HOUSE methodically creates and destroys through audio infection and transcendent musical deconstruction. All things in all ways. There is nothing else. Know How To Carry A Whip will be released worldwide on October 23rd, 2015 via Neurot Recordings. Preorders for CD, LP, Digital & T-Shirt bundles are available at the Neurot Webstore


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